Four young men re-locate from a village in India, to a big city. While attempting to access accomodation, they are repeatedly told that rooms will only be rented to married couples, not to bachelors. Frustrated at this, two of them disguise themselves as women, and pose as wives for the other two males. They are able to secure accomodation with the Mishra family. Complications arise when the two "women" fall in love with Mishra's two lovely daughters - with results that can only be described as hilarious.

Four young men re-locate from a village in India, to a big city. While attempting to access accomodation, they are repeatedly told that rooms will only be rented to married couples, not to bachelors. Frustrated at this, two of them disguise themselves as women, and pose as wives for the other two males. They are able to secure accomodation with the Mishra family. Complications arise when the two "women" fall in love with Mishra's two lovely daughters - with results that can only be described as hilarious.

A desperate Anisha lies about her marital status to bag a job. However, when her boss tries to hook her up with one of her cousins, Anisha's husband, Sunny, becomes insecure and joins the company.

Miya aur Biwi, Priya and Jayesh are struggling in a dysfunctional marriage of 7 years. 1 night, over the course of 7 hours, they will have to work together to stay alive. Can they do it? Or do they fall victim to the madness of the night.

The royal saga of deceit, conspiracy, greed and lust continues in the third installment of the series, as the Saheb and Biwi are pitted against an enemy and everyone involved is scheming ruthlessly for their own personal gain.

The once happy couple, Prakasan and Sujatha bicker, and fight after the arrival of the orphan child. What is the reason?

Singer Chandermohan is born in a well-off family and is the only child. Since he is of marriageable age, both he and his parents want him to get married. But since he was born with a strong & adverse influence of Mars (Mangalik) during his birth his horoscope has not been compatible with any suitable woman. On his friend's Gafoor's, who has two wives, advice he re-locates to Bombay, sings at the Tejpal Auditorium, meets and falls in love with wealthy Asha, who lives with her widower dad, ironically named Colonel Mangal Singh and her paternal grandma. Mangal would like Asha to get married to an army officer. His attempts fail and Asha and his mom convince him to let Asha, who is also Manglik, get married to Chandermohan. He reluctantly falls in line with them, but then a series of events makes everyone change their mind about Chandermohan, namely a fake astrological chart that shows he is not Manglik, and his accusations about Mangal, who he alleges is leading a double life, romancing,...

Centering on the institution of marriage, this gripping family drama explores the turmoil faced by a woman whose very existence is challenged by deceit and betrayal, forcing her to fight for her honor and her rightful place as a true Wife (Biwi).

Othenente Makan is a 1970 Indian Malayalam film, directed and produced by Kunchacko. The film stars Prem Nazir, Ragini, Sathyan, Sheela and Kaviyoor Ponnamma in lead roles. The film had musical score by G. Devarajan

Sonia, the daughter of a rich father, is in love with Sunny, an orphan. Her father knows that Sonia is in love with Sunny but doesn't quite favour him because of his poor financial status. Things go upside down when a mentally unstable girl enters the life of Sunny.